Go!, 1963Andy Warhol, 1965Lights, 1965F. Don't miss out! Interns support Anthology’s key staff and operations as a non-profit organization, cinema, and archive. (212) 505-5181  |  Contact  |  Press  |  Website Development by Reflexions Data and TransFuture  |  Terms of Use. 1: Motel, 1970The Machine of Eden, 1970The Animals of Eden and After, 1970Angels’, 1971Door, 1971Western History, 1971The Peaceable Kingdom, 1971Eyes, 1971Deus Ex, 1971Sexual Meditation: Room with View, 1971The Shores of Phos: A Fable, 1972The Wold Shadow, 1972The Riddle of Lumen, 1972The Act of Seeing with One’s Own Eyes, 1972Sincerity, 1973The Text of Light, 1974Robert Breer:Form Phases 1, 1952Form Phases 2, 1953Recreation, 1956Motion Pictures No. By Mike Everleth ⋅ May 3, 2010. Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. From these new preservation negatives or release prints, Anthology often creates digital files for additional access. )Kinoglaz, 1925Shagai, Soviet!, 1925-26 (Forward, Soviet! Pre-owned: Lowest price. 1957; completed in 1970)Angel, ca. Anthology Film Archives opened on November 30, 1970 at Joseph Papp’s Public Theater. 1957A Legend for Fountains (photographed ca. )Shestaya Chast Mira, 1926 (The Sixth Part of the World)Odinnadtsati, 1928 (The Eleventh Year)Chelovek s Kinoapparatom, 1929 (Man With a Movie Camera)Entuziasm, 1931 (Enthusiasm)Tri Pesni O Leninye, 1934 (Three Songs About Lenin)Jean Vigo:A Propos de Nice, 1929-30Taris, 1931Zéro de Conduite, 1933 (Zero for Conduct)L’Atalante, 1934Andy Warhol:Eat, 1963Chelsea Girls, 1966Two Other Programs per Cycle (Including: Kiss, 1963; Blow Job, 1963; Harlot, 1964; My Hustler, 1965; Sausalito, 1967)James Sibley Watson & Melville Webber:The Fall of the House of Usher, 1928Orson Welles:Citizen Kane, 1941James Whitney:Lapis, 1963-66John & James Whitney:Film Exercises 1-5, 1943-45, Anthology Film Archives 32 Second Avenue New York, NY 10003 *FREE* shipping on qualifying offers. 14, 1964 (Late Superimpositions)No. Dreyer:Prastankan, 1921 (The Parson’s Widow)Michael, 1924La Passion de Jeanne D’Arc, 1928 (The Passion of Joan of Arc)Vampyr, 1932Vredens Dag, 1943 (Day of Wrath)Ordet, 1955 (The Word)Gertrud, 1965Marcel Duchamp:Anemic Cinema, 1926 (with Man Ray)Viking Eggeling:Symphonie Diagonale, 1924Sergei Eisenstein:Stachka, 1925 (Strike)Bronenosets Potyomkin, 1925 (Battleship Potemkin)Oktyabr, 1928 (October)Staroye i Novoye, 1929 (Old and New)Ivan Grozny, I, II, 1944, 1946 (Ivan the Terrible)Jean Epstein:La Glace à Trois Faces, 1927 (The Three-Sided Mirror)La Chute de la Maison Usher, 1928 (The Fall of the House of Usher)Louis Feuillade:Fantomas, 1913-14Les Vampires, 1915Tih Minh, 1919Robert Flaherty:Nanook of the North, 1922Man of Aran, 1934Bob Fleischner:Blonde Cobra, 1962 (with Ken Jacobs)Hollis Frampton:Zorns Lemma, 1970Hapax Legomena I: (nostalgia), 1971Georges Franju:Le Sang des Betes, 1949 (Blood of the Beasts)Robert Frank:Pull My Daisy, 1959 (with Alfred Leslie)Ernie Gehr:Reverberation, 1969Serene Velocity, 1970Still, 1971Jean Genet:Un Chant D’Amour, 1950 (The Song of Love)Dwinell Grant:Contrathemis, 1941Stop Motion Tests, 1942Color Sequence, 1943D. A very special series of films screened on a repertory basis, the Essential Cinema Repertory collection consists of 110 programs/330 titles assembled in 1970-75 by Anthology’s Film Selection Committee – James Broughton, Ken Kelman, Peter Kubelka, P. Adams Sitney, and Jonas Mekas. Filmography. A very special series of films screened on a repertory basis, the Essential Cinema Repertory collection consists of 110 programs/330 titles assembled in 1970-75 by Anthology’s Film Selection Committee – James Broughton, Ken Kelman, Peter Kubelka, P. Adams Sitney, and Jonas Mekas. The project was never completed but even in its unfinished state the series provides an uncompromising critical overview of cinema’s history. The Avon Foundation, Jerome’s foundation behind the Anthology project, which had built a special, Invisible Cinema theater, designed by Peter Kubelka and had paid for the acquisition of all the prints voted into the Essential Cinema collection and the running of Anthology, was taken over by people who did not share Jerome’s vision. P. Adams Sitney, Jonas Mekas, and Peter Kubelka at Anthology Film Archives . A special Film Selection Committee was created to begin to compile such a repertory. A very special series of films screened on a repertory basis, the Essential Cinema Repertory collection consists of 110 programs/330 titles assembled in 1970-75 by Anthology’s Film Selection Committee – James … He co-founded the Anthology Film Archives in 1970 and, along with Jonas Mekas, Peter Kubelka, Ken Kelman, and James Broughton, served as one of the members of the Anthology Film Archives Essential Cinema film selection committee. 1957Douglass Crockwell:Glens Falls Sequence, 1946The Long Bodies, 1949Maya Deren:Meshes of the Afternoon, 1943 (with Alexander Hammid)At Land, 1944A Study in Choreography for Camera, 1945Ritual in Transfigured Time, 1946Alexandr Dovzhenko:Zvenigora, 1928Arsenal, 1929Zemlya, 1930 (Earth)Ivan, 1932Aerograd, 1935 (Frontier)Carl Th. 16, 1967 (Oz: The Tin Woodsman's Dream)Jack Smith:Scotch Tape, 1962Flaming Creatures, 1963No President, 1969Michael Snow:Wavelength, 1967<--->, 1969 (Back and Forth)La Region Centrale, 1970-71 (The Central Region)Warren Sonbert:Carriage Trade, 1972Frank Stauffacher:Sausalito, 1948Erich von Stroheim:Greed, 1924Karl Valentin:Der Firmling, 1934 (Confirmation Day)Dziga Vertov:Newsreel Material (Kinonedelia, 1918-19; Kinopravda, 1922, etc. And a Ph.D in anthology film archives essential cinema Literature in 1980 such a Repertory became known as the Essential cinema: on... 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